保存修復[日本画]Japanese Painting (Conservation)
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文化財保存学・保存修復日本画[修士]|Conservation/Japanese Painting[Master]「地蔵菩薩像」東京藝術大学蔵の現状模写および装潢|徳門 あいみ絹本着色、墨、膠、天然顔料、天然染料、金箔、金泥、掛幅装The Precise Reproduction and Mounting of "Ksitigarbha" in the Collection of The Tokyo University of The Arts | TOKUMON AimiColor on silk, sumi ink, animal glue, natural pigment,natural dyes, gold leaf, gold paint, Hanging scrollH80cm × W32.4cm (本紙寸法)
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文化財保存学・保存修復日本画[修士]|Conservation/Japanese Painting[Master]「地蔵菩薩像」東京藝術大学蔵の現状模写および装潢|苑 博絹本着色、墨、膠、天然顔料、天然染料、金箔、金泥、掛幅装The Precise Reproduction and Mounting of "Ksitigarbha" Collection of The University Art Musium-Tokyo University of the Arts | YUAN Bocolor on silk, sumi ink, animal glue, natural pigments, natural dyes,gold leaf, gold paint, Hanging scrollH91cm × W38.2cm
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文化財保存学・保存修復日本画[修士]|Conservation/Japanese Painting[Master]重要文化財「羅漢図」東京藝術大学蔵の現状模写および装潢|木島 侃志絹本着色、墨、膠、天然顔料、天然染料、金泥、掛幅装The Precise Reproduction and Mounting of Important Cultural Property "Arhats(Ajita)" Collection of The University Art Musium-Tokyo University of the Arts | KIJIMA Tsuyoshicolor on silk, sumi ink, animal glue, natural pigments, natural dyes, gold paint, Hanging scrollH128.5cm × W55cm
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文化財保存学・保存修復日本画[修士]|Conservation/Japanese Painting[Master]■★卒業・修了作品買上伝狩野元信筆「花鳥図屏風」東京藝術大学蔵の現状模写および装潢|佐々井 英祐紙本着色、雁皮紙、膠、墨、天然顔料、天然染料、金泥、屏風装The Precise Reproduction and Mounting of "Folding Screen with Motif of Birds and Flowers”attributed to Kano Motonobu in the Collection of The University Art Museum -Tokyo University of The Arts | SASAI Eisukecolor on paper, japanese paper(gampi), animal glue, sumi ink, natural pigments, natural dyes, gold paint, folding screenH151cm × W348.9cm × D1.8cm
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文化財保存学・保存修復日本画[修士]|Conservation/Japanese Painting [Conservation][Master]■修理品|学生共同修理|
保存修復[油画]Oil Painting (Conservation)
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文化財保存学・保存修復油画[修士]|Conservation/Oil Painting[Master]【修復作品】東京藝術大学大学美術館所蔵 和田英作模写『ミレー《落穂拾い》』|髙田 彰太朗キャンバス・油彩《Conservation Treatment》Reproducted by WADA Eisaku "The Gleaners (by Jean-François Millet)", University Art Museum, Tokyo University of the Arts - | TAKADA ShotaroOil on canvasH84.9cm × W113cm × D2.5cm
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文化財保存学・保存修復油画[修士]|Conservation/Oil Painting[Master]【修復作品】東京藝術大学大学美術館所蔵 池部鈞(山下鈞)≪春淺し≫|長島 奏理キャンバス・油彩《Conservation Treatment》IKEBE Hitoshi"Early Spring", University Art Museum, Tokyo University of the Arts | NAGASHIMA KanariOil on canvasH91.4cm × W121.3cm × D2.5cm
保存修復[彫刻]Sculpture (Conservation)
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文化財保存学・保存修復彫刻[修士]|Conservation/Sculpture[Master]高野山金剛峰寺 八大童子像のうち制多迦童子像模刻|王 工一ヒノキ、木彫Reproduction of the statue of Seitaka-dōji,one of the Hachidai-dōji of Kongōbu-ji temple in Kōya-san | WANG GongyiJapanese cypress、wood carvingH117.5cm × W50.5cm × D21.5cm
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文化財保存学・保存修復彫刻[修士]|Conservation/Sculpture[Master]山形県本山慈恩寺 十二神将のうち卯神将模刻|金 路ヒノキ、木彫Reproduction of wooden standing statue of Makora Divine General(one of the Twelve Devine Generals) at Jionji Temple in Yamagata | JIN LuJapanese cypress、wood carvingH108cm × W50cm × D37cm
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文化財保存学・保存修復彫刻[修士]|Conservation/Sculpture[Master]京都府正壽院 快慶作 木造不動明王坐像 模刻制作|三好 桃加ヒノキ、木彫Reproduction of sitting statue of Fudo myoo at Shojuin in kyoto | MIYOSHI MomokaJapanese cypress、wood carvingH450cm × W400cm × D330cm
保存科学Conservation Science
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文化財保存学・保存科学[修士]|Conservation/Science[Master]■★サロン・ド・プランタン賞染着したインジゴの分解生成物についての研究|奥島 希子Studies on degradation products of indigo dyed textile | OKUSHIMA Kiko
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文化財保存学・保存科学[修士]|Conservation/Science[Master]とめドーサによる青貝箔の変色について|坂井 沙紀About Discoloration of Aogaihaku (Blue colored thin film) by Tome-dosa process | SAKAI Saki
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文化財保存学・保存科学[修士]|Conservation/Science[Master]材料科学を用いた中世中部地方の陶器の研究|髙田 耕佑Studies on medieval pottery made in Chubu region | TAKADA Kosuke
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文化財保存学・保存科学[修士]|Conservation/Science[Master]彩色材に用いられる岩緑青・岩群青の劣化について|長谷川 智美Studies on deterioration of malachite and azurite as coloring materials - Relation to Rokusyo yake (copper corrosion) | HASEGAWA Satomi