論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］
栗塚又郎著・小川一眞印刷発行『日本鉄道紀要』の研究｜斎藤 光
Research on the “Railways and Rolling Stock in Japan” (Nihon Tetsudō Kiyō) by Kurizuka Matarō and Published by Ogawa Kazumasa | SAITO Hikaru
芸術学｜Aesthetics and Art History
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］四天王像の群像表現にみる奈良仏師による古典研究 — 東大寺戒壇堂像と興福寺中金堂像（南円堂旧蔵）の比較から｜南 ひかるClassical Studies by Sculptors of Buddhist Works in Nara as Seen in the Group Representation of the Shitennõ (Four Heavenly Kings): - A Comparison of the Shitennō at Kaidan-dō at Tōdaiji Temple and the Shitennō at Chūkondō (formerly owned by Nan'en-dō) at Kōfukuji Temple | MINAMI Hikaru
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］吉田璋也の鳥取新作民藝運動の意義 — 柳宗悦の協団論、柳宗理のデザイン理論との比較から｜杉本 温子The Significance of Yoshida Shōya’s Tottori New Mingei Movement: - A Comparative Analysis with Yanagi Muneyoshi’s Guild Theory and Yanagi Sori’s Design Theory | SUGIMOTO Atsuko
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］ミルトン・グレイザーの目指した自己表出の仕事｜伝田 快雄Milton Glaser’s intention of self-expressive work | DENDA Hayao
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］中原淳一と『少女の友』｜海川 寧音Nakahara Jun'ichi and Shōjo no Tomo | KAIGAWA Nene
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］1889年パリ万博機械館にみられる歴史主義と産業主義｜兼川 涼The Historicism and Industrialism Evident in “La Galerie des machines” at the 1889 Paris Exposition Universelle | KANEKAWA Suzu
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］西條八十 詩人と大衆 — 「死」の美学化｜清岡 海月SAIJO Yaso, a poet among the masses - Aestheticization of "death” | KIYOOKA Mizuki
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］『日本歌劇概論』にみる小林一三の演劇観 — 大劇場における国民劇の実現｜坂部 遥香Kobayashi Ichizō's View of the Theater in Introduction to Japanese Opera - Realization of Kokumingeki in the Grand Theater | SAKABE Haruka
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］「かわいい」の構成要素と美学的な位置づけについて｜作田 壮紀Exploring "KAWAII": Constituents and Aesthetic Contextualization | SAKUTA Souki
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］人工知能を応用した絵画制作を通した創造性の再定義｜真田 将太朗Redefining Creativity through the Application of Artificial Intelligence to the Production of Paintings | SANADA Shotaro
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］橋本平八 — 「代表作品」にみる作家像｜杉田 里彩Hashimoto Heihachi: - The Character of the Artist as Seen in his Representative Works | SUGITA Risa
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］芹沢銈介の初期作風の変遷 — 雑誌『工藝』の装幀を中心に｜田中 佑奈Changes in Keisuke Serizawa's Early Style: - Focusing on the Covers of Kōgei Magazine | TANAKA Yuna
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］バーン＝ジョーンズ作《黄金の階段》 －唯美主義的解釈と主題の関係についての考察－｜中園 梨花“The Golden Stairs” by Edward Burne-Jones: A Study of the Relationship between the Subject and the Interpretation of Aestheticism | NAKAZONO Rinka
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］エリザベート=ルイーズ・ヴィジェ=ルブラン《鏡をのぞくジュリ》研究｜平山 果実A Study of Elisabeth Louise Vigée Le Brun’s “Julie Looking in a Mirror” | HIRAYAMA Kajitsu
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］ティルマン・リーメンシュナイダー ヘルゴット教会の《マリア被昇天祭壇》の研究｜本田 一Study of Tilmam Riemenschneider's Altar of the Virgin Mary in Herrgottskirche | HONDA Hajime
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］正寿院不動明王坐像の作者と制作年代について — 醍醐寺三宝院、金剛寺の不動明王坐像ほか快慶、行快作例との比較を中心に｜森川 紗希On The Sculptor and Date of Creation of the Seated Fudō Myōō at Shōju'in: - Comparisons with the Seated Fudō Myōō Sculptures at Sanbō'in, Daigoji Temple, Kongōji, and Other Examples by Kaikei and Gyōkai | MORIKAWA Saki
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論文・芸術学［学部］｜Thesis/Aesthetics and Art History［Bachelor］イメージを見る、イメージが見せる — ジョルジュ・ディディ＝ユベルマンの「サンプトム」について｜矢澤 耕介Images We See, Images We’ve Been Confronted With - On the Concept of Symptôme in Georges Didi-Huberman | YAZAWA Kohsuke