保存修復[日本画]Japanese Painting (Conservation)
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文化財保存学・保存修復日本画[修士]|Conservation/Japanese Painting[Master]■★卒業・修了作品買上重要文化財「浄瑠璃寺吉祥天厨子絵のうち弁財天及び四眷属像」東京藝術大学蔵の現状模写|可児 貴子板絵着色・檜・漆・膠・墨・天然顔料・金泥A Precise Reproduction of Important Caltural Property "Benzai-ten and Four dependents" in "Joruri temple" in the Collection of Tokyo University of The Arts | KANI Takakocolor on wooden board, cypress,urushi,animal glue, sumi ink, natural pigments, gold paintH103.6cm × W62.1cm × D1cm
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文化財保存学・保存修復日本画[修士]|Conservation/Japanese Painting[Master]「阿弥陀三尊来迎図」東京藝術大学蔵の現状模写および装潢|小松 拓也絹本着色・膠・墨・天然顔料・金泥・金箔・掛幅装A Precise Reproduction and Mounting of "Amitabha Triad to Greet Figure" in the Collection of Tokyo University of The Arts | KOMATSU Takuyacolor on silk, animal glue, sumi ink, natural pigments, gold paint, gold leaf, Hanging scrollH119.8cm × W50.5cm
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文化財保存学・保存修復日本画[修士]|Conservation/Japanese Painting[Master]「水月観音像」東京藝術大学蔵の現状模写および装潢|鄭 旻雅絹本着色・膠・墨・天然顔料・金泥・掛幅装A Precise Reproduction and Mounting of "Water-Moon Avalokitesvara" in the Collection of The University Art Museum-Tokyo University of The Arts | JUNG Minacolor on silk, animal glue, sumi ink, natural pigments, gold paint, Hanging scrollH123.5cm × W60.3cm
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文化財保存学・保存修復日本画[修士]|Conservation/Japanese Painting[Master]狩野山雪筆「四季耕作図屏風」東京藝術大学蔵の現状模写および装潢|平片 仁也紙本着色・名塩雁皮紙・膠・墨・天然染料・天然顔料・金泥・屏風装A Precise Reproduction and Mounting of “Farming Scenes in the Four Seasons” by Kano Sansetsu in the Collection of Tokyo University of The Arts | HIRAKATA Jinyacolor on paper, japanese paper(najio gampi), animal glue, sumi ink, natural dyes, natural pigments, gold paint, folding screenH101.1cm × W363.6cm × D1.4cm
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文化財保存学・保存修復日本画[修士]|Conservation/Japanese Painting [Conservation][Master]■修理品|学生共同修理|
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文化財保存学・保存修復日本画[修士]|Conservation/Japanese Painting [Conservation][Master]■修理品|学生共同修理|
保存修復[油画]Oil Painting (Conservation)
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文化財保存学・保存修復油画[修士]|Conservation/Oil Painting[Master]《個人修復作品》東京藝術大学大学美術館所蔵 内野猛『雪』|三浦 早貴油彩・木板《Conservation Treatment》UCHINO Takeshi "Snow" | MIURA SakiOil on panelH42cm × W51cm × D2.2cm
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文化財保存学・保存修復油画[修士]|Conservation/Oil Painting[Master]《共同修復作品》東京藝術大学大学美術館所蔵 湯浅 一郎『水仙花』|岡田 裕梨、松井菜那油彩・ボール紙《Conservation Treatment》YUASA Ichiro "Narcissus" | OKADA Yuri, MATSUI NanaOil on paperH48.5cm × W37.8cm × D8cm
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文化財保存学・保存修復油画[修士]|Conservation/Oil Painting[Master]《共同修復作品》東京藝術大学大学美術館所蔵 湯浅 一郎『風雲』|松井 菜那、岡田 裕梨油彩・キャンバス《Conservation Treatment》YUASA Ichiro "Wind and Cloud" | OKADA Yuri, MATSUI NanaOil on canvasH41.5cm × W53.9cm × D6.4cm
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論文・保存修復油画[修士]|Thesis/Oil Painting[Master]額縁制作における立体装飾(compo)の技法・材料に関する研究 — −長尾建吉製造「磯谷額縁」の修復と分析を通して−|三浦 早貴A study of the technique and materials for three-dimensional composition ornaments (compo) in the production of picture frames - Restoration and analysis of the “Isogaya Frame” manufactured by Kenkichi Nagao | MIURA Saki
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論文・保存修復油画[修士]|Thesis/Oil Painting[Master]現代絵画に使用されるコーティング剤の研究 — −東京藝術大学 油画科 学生の作品を対象とした調査−|岡田 裕梨Coating materials used in contemporary paintings - -Works by students of Tokyo University of the Arts, Oil Painting Department- | OKADA Yuri
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論文・保存修復油画[修士]|Thesis/Oil Painting[Master]ヤコポ・デル・セッライオのメディウムについての考察と技法の再現 — −国立西洋美術館所蔵《奉納祭壇画:聖三位一体、聖母マリア、聖ヨハネと寄進者》の模写を通して−|松井 菜那テンペラ・油彩・木板Jacopo del sellaio`s techniques and materials focusing on the binding medium - Reproduction of the Votive Altarpiece: the Trinity, the Virgin, St John and the Donors, in the collection of The National Museum of Western Art | MATSUI NanaTempera and oil on panelH46.5cm × W23.5cm × D2cm
保存修復[彫刻]Sculpture (Conservation)
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文化財保存学・保存修復彫刻[修士]|Conservation/Sculpture[Master]山梨県大福寺木造聖観音立像復元模刻|廣崎 萌ヒノキ,木彫Reproduction of wooden standing statue of Sho Kannon at Daifuku Temple in Yamanashi | HIROSAKI MoeJapanese cypress,wood carvingH113cm × W36cm × D28.5cm
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文化財保存学・保存修復彫刻[修士]|Conservation/Sculpture[Master]山形県本山慈恩寺木造大日如来坐像模刻|劉 常民ヒノキ,木彫Reproduction of wooden sitting statue of Dainichi nyorai at Jionji Temple in Yamagata | LIU ChangminJapanese cypress,wood carvingH73cm × W50.8cm × D41.5cm
保存修復[工芸]Crafts (Conservation)
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文化財保存学・保存修復工芸[修士]|Conservation/Crafts[Master]中村勝馬の活動記録からみる東京藝術大学美術館所蔵《七宝に鱗紋黒留袖》の一部再現について|石原 真理絹・友禅・刺繍Reproduction of a piece of "Shippou Urokomon Kurotomesode" drawn from the collection of The University Art Museum, Tokyo University of the Arts, and produced based on documents from the university's Katsuma Nakamura archive. | ISHIHARA Marisilk・yuzen dyeing・embroideryH33cm × W31cm
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文化財保存学・保存修復工芸[修士]|Conservation/Crafts[Master]南蛮漆器の製作工程に関する研究 — 東京藝術大学大学美術館所蔵「花鳥蒔絵螺鈿小箪笥」の修復を通じて|戸田 詠美理黒漆塗・蒔絵・螺鈿/漆・金・銀・螺鈿・木・銅A Study on the production process of Namban lacquerware - Through the reproduction and restoration of the “Kacho Makie Raden Small Chest” collection of the University Art Museum, Tokyo University of the Arts | TODA Emiri(Toda Emily)urushiwork・makie・raden/urushi・gold・silver・shell・wood・copperH9.95cm × W11.5cm × D3.2cm
保存修復[建造物]Buildings and Districts (Conservation)
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論文・保存修復建造物[修士]|Thesis/Buildings and Districts[Master]近代銀行建築の評価軸とその保存活用に関する研究 — 広島県の事例を通じて|村上 加奈A Study on the preservation, utilization and evaluation axis of modern bank buildings - Through case studies in the region of Hiroshima prefecture, Japan | MURAKAMI Kana
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論文・保存修復建造物[修士]|Thesis/Buildings and Districts[Master]重要伝統的建造物群保存地区における景観整備の考察 — 赤瓦の町並みにおける修景手法の課題と提案|山本 記史A Study on the Sustainability of Town Management in the Conservation Districts of Traditional Architecture - in Utsubukitamagawa, Ōmoriginzan, Yunotsu, and Tsuwano in Japan | YAMAMOTO Norifumi
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論文・保存修復建造物[修士]|Thesis/Buildings and Districts[Master]北関東における近世神社本殿の部材彫刻に関する考察|齋藤 菜那A Study of the sculpture work of shrines at the Edo period in North-Kanto | SAITO Nana
保存科学Conservation Science
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論文・保存科学[修士]|Thesis/Conservation Science[Master]■|内山 花| UCHIYAMA Kaori[論文|Thesis]
ミクストメディアによる現代美術作品における合成樹脂の変化
- Change in properties of plastics in contemporary art works with composite materials - -
論文・保存科学[修士]|Thesis/Conservation Science[Master]■|高 偉| GAO Wei[論文|Thesis]
中国宋代の山東莱州南五里村装飾古墳の壁画に使用された材料
- Materials for Mural Paintings of LAIZHOU Nanwuli Tomb in Shandong, Song Dynasty, China - -
論文・保存科学[修士]|Thesis/Conservation Science[Master]■★サロン・ド・プランタン賞|寺島 海| TERASHIMA Kai[論文|Thesis]
スマルトをはじめとする合成青色ガラス顔料に関する研究
— 江戸中期から明治初期の国内での事例を元に —Studies on synthetic blue glass pigments such as smalt
- The use cases of pigments in Japan from the mid Edo period to the early Meiji period - -
論文・保存科学[修士]|Thesis/Conservation Science[Master]■|廣田 久美子| HIROTA Kumiko[論文|Thesis]
膠・ナノセルロース混合材料の木質文化財修復における有用性について
- Characterization of novel animal glue with nanocellulose for the restoration of Wooden Cultural Properties -